- 1923
- Born, Philadelphia, PA
- 1998
- Died, East Hampton, NY
- 1934-39
- Graphic Sketch Club, Philadelphia, PA
- 1940-42
- Philadelphia College of Art, Philadelphia, PA
- 1946-47
- Pennsylvania Academy of Art, Philadelphia, PA
- 1947-48
- Tyler School of Art, Temple University, Philadelphia, PA
- 1948-49
- Contemporary School of Art, Brooklyn, NY
- 1949-51
- Académie de la Grande Chaumière, Paris, France
- 1954
- University of Pennsylvania, Philadelphia, PA
- 1951
- Galerie Huit, Paris, France
- 1952
- Dubin Galleries, Philadelphia, PA
- 1953
- Hendler Galleries, Philadelphia, PA
- 1955
- Moore College of Art, Philadelphia, PA
- 1959
- Minneapolis Institute of Art, Minneapolis, MN
- 1962
- Rose Fried Gallery, New York, NY
- 1964
- Rose Fried Gallery, New York, NY
- 1965
- Art Gallery, Pratt Institute, Brooklyn, NY
- 1967
- Rose Fried Gallery, New York, NY
- 1970
- Gallery 118, Minneapolis, MN
- 1974
- St. John University, Collegeville, MN
- 1975
- Art Lending Gallery, Minneapolis, MN
- 1976
- Minneapolis College of Art and Design, MN
- 1980
- Medici-Berenson Gallery, Miami, FL
- 1981
- Medici-Berenson Gallery, Miami, FL
- 1996
- Marc Miller Gallery, East Hampton, NY
- 2000
- Gallery Rood, Eastport, NY
- 2001
- Gallery Rood, Eastport, NY
- 2002
- Gallery Rood, Eastport, NY
- 2003
- Gallery Rood, Eastport, NY
- 2004
- Gallery Rood, Eastport, NY
- 2008
- Katharina Rich Perlow Gallery, New York, NY
- 1949
- Newark Gallery, Invitational, Newark, NJ
- 1950
- Musee D'Art Moderne, Invitational, Paris, France Galerie Huit, Paris, France
- 1952
- Pennsylvania Academy of Fine Art, Philadelphia, PA
- 1953
- Stable Gallery, Invitational, New York, NY
- Cheltenman Art Center, Philadelphia, PA
- Camino Gallery, Invitational, New York, NY
- Hendler Galleries, Philadelphia, PA
- 1954
- Camino Gallery, Invitational, New York, NY
- University of New Mexico, Albuquerque, NM
- Art Center of Victoria, British Columbia, Canada
- Massillon Museum, Massillon, OH
- 1955
- March Gallery, Invitational, New York, NY
- Pennsylvania Academy of Art, Pennsylvania, PA
- University of South Carolina, Columbia, SC
- Mills College, Oakland, CA
- Washington County Museum, Hagerstown, MD
- Mercersburg Academy, Mercersburg, PA
- Philadelphia Museum of Art, Philadelphia, PA
- Edmonton Museum of Art, Alberta, Canada
- 1956
- University of Pennsylvania, Philadelphia, PA
- Gallery of Modern Art, Montreal, Canada
- Calgary Allied Art Center, Alberta, Canada
- Stanford University, Stanford, CA
- University of Manitoba, Winnepeg, Canada
- University of Texas, Austin, TX
- 1957
- Davida Gallery, New York, NY
- March Gallery, New York, NY
- Pennsylvania Academy of Fine Art, Pennsylvania, PA
- 1959
- Widdifield Gallery, New York, NY
- Walker Art Center, Minneapolis, MN
- 1960
- Rose Fried Gallery, New York, NY
- Museum of Modern Art, Invitational, New York, NY
- 1961
- Minneapolis Institute of Art, Minneapolis, MN
- Rose Fried Gallery, New York, NY
- 1962
- Museum of Modern Art, New York, NY
- Contemporary Art Museum, Houston, TX
- Walker Art Center, Minneapolis, MN
- 1963
- Rose Fried Gallery, New York, NY
- 1965
- Rose Fried Gallery, New York, NY
- 1966
- Carlsson Gallery, New York, NY
- Englewood Armory Show, Englewood, NJ
- Ciba-Geigy Corporation, Ardsley, NY
- 1968
- New York University, New York, NY
- Ciba-Geigy Corp., Ardsley, NY
- Walker Art Center, Minneapolis, MN
- University of Minnesota, Minneapolis, MN
- Birla Academy Museum, Calcutta, India (Museum of Modern Western Art)
- 1969
- Gallery 118, Minneapolis, MN
- University of Minnesota, Minneapolis, MN, The Fifties Revisited & Minnesota Freedom in Greece
- Juilliard School of Music, New York, NY
- Ciba-Geigy Collection
- 1970
- United States Information Service, American Art - traveling India
- Macalester College, St. Paul, MN
- St. Olaf College, The Fifties Revisited, Northfield, MN
- 1971
- Rose Fried Gallery, New York, NY
- Jewish Community Center, Minneapolis, MN
- Carleton College, Northfield, MN
- Hudson River Museum, Yonkers, NY
- Albright-Knox Museum, Buffalo, NY
- St. Catherine College, St. Paul, MN
- 1972
- Jewish Community Arts Center, St.Paul, MN
- Gallery 118, Minneapolis, MN
- Baltimore Museum of Art, Baltimore, MD
- University of Minnesota, Minneapolis, MN
- St. Catherine College, St. Paul, MN
- St. Louis Park Medical Center, St. Louis, MN
- West Bank Gallery, The New York Influence, Minneapolis, MN
- 1973
- Normandale College, Normandale, MN
- Notre Dame University, South Bend, IN
- 1974
- Summit Art Center, Summit, NJ
- Art Lending Gallery, Minneapolis, MN
- University of Minnesota, Minneapolis, MN
- 1975
- University of Minnesota, Minneapolis, MN (2)
- St. John University, Collegeville, MN
- Pace Gallery, New York, NY
- 1976
- Pace Gallery, New York, NY
- Eight American Painters Invitational Dublin, Ireland
- 1977
- University of Minnesota, Minneapolis, MN (2 )
- 1978
- University of New Mexico, Albuquerque, NM
- University of Minnesota, Art/Not Art, Minneapolis, MN
- 1979
- Minnesota Museum of Art, St. Paul, MN
- 1980
- University of Minnesota, Minneapolis, MN
- 1981
- University of Minnesota, Minneapolis, MN
- 1982
- University of Minnesota, Minneapolis, MN (2)
- 1987
- New Jersey Center for Visual Arts, Summit, NJ
- Ciba-Geigy 50 Years Anniversary Show
- 1996
- Marc Miller Gallery, East Hampton, NY
- 2000
- Gallery Rood, Eastport, NY Avant Garde of the Fifties & Now
*Inaugural exhibition in conjunction with release of the book edited by Marika Herskovic - New York School Abstract Expressionists Artists Choice by Artists
- 2001
- Gallery Rood, Eastport, NY Fifties & Sixties Works on paper
- 2002
- Gallery Rood, Eastport, NY
- 2003
- Studio 18 Gallery, NY, NY, Galerie Huit-American Artists in Paris
- 2008
- Katharina Rich Perlow Gallery, NY, NY, Works on Paper
- Katharina Rich Perlow Gallery, NY, NY Winter Group Show
- 2009
- Katharina Rich Perlow Gallery, New York, NY, American Abstractions
- Philadelphia Museum of Art, Philadelphia, PA
- Pennsylvania Academy, Philadelphia, PA
- Birla Academy of Art & Culture, Calcutta, India
- New York University, Grey Art Gallery, New York, NY
- Walker Art Center, Minneapolis, MN
- Frederick R. Weisman Art Museum, Minneapolis, MN
- Minneapolis Institute of Art, Minneapolis, MN
- Minneapolis College of Art & Design, Minneapolis, MN
- University of New Mexico, Art Museum, Albuquerque, NM
- University of Notre Dame, South Bend, Indiana
- J. Walter Thompson Company, New York, NY
- Novartis Co. formerly Ciba-Geigy, East Hanover, NJ/Basel, Switzerland
- Estate of Jean Paul Riopelle, Montreal, Canada
- Estate of Robert Klippel, Sydney, Australia
- 1950
- Paris News Post, Paris, France, review/article & reproduction
- 1951
- La Revue Moderne Paris, France, review/article & reproduction "Raymond Hendler" by Georges Turpin, March issue
- Life Magazine, Paris bureau, 3-day photo shoot on Galerie Huit artists & their work in Paris, France (bumped by outbreak of Korean War)
- 1952
- KYW Radio, Philadelphia, PA, "Interview with Director of Hendler Galleries"
- Philadelphia Inquirer, Philadelphia, PA, review/reproduction
- 1953
- Art Digest, New York, NY, review by Dore Ashton for the Hendler Galleries
- Stable Gallery Group Catalog, New York, NY, review by Clement Greenberg
- PBS-TV, Philadelphia, PA, lecture/demonstration, "Hendler Paints a Painting"
- KYW Radio, Philadelphia, PA, interview/discussion, "The Artist in Philadelphia"
- Art Digest, New York, NY review/reproduction by Sam Feinstein
- 1954
- Art Digest, New York, NY, group review/article by James Fitzimmons
- Art Digest, New York, NY, article/photo "Art Dealing in America" by Raymond Hendler
- CBS-TV, Philadelphia, PA, "Art Panel: Louis Kahn, Frank Weiss, Raymond Hendler"
- 1955
- CBS-TV, Philadelphia, PA, talk show/interview/discussion
- 1957
- New York Times, New York, NY group review by Dore Ashton, "24 Exhibitors, Five Notable Contributors Including Raymond Hendler"
- 1958
- Four Year Symposium Series, taped for broadcast, Minneapolis College of Art, Minneapolis, MN
- Invited Speaker, "The New York Scene", taped for broadcast, Minneapolis College of Art, Minneapolis, MN
- Unpublished papers on curriculum, art courses, syllabi etc. (22 years)
- 1960
- Popular Photography, New York, NY, article/photo/reproduction, "Artists' Portraits" by Robert Smith
- 1961
- Rose Fried Gallery, Group Catalog, New York, NY "Modern Masters"
- Rose Fried Gallery, Group Catalog, New York, NY
- 1962
- Rose Fried Gallery, one-man show review, New York, NY by Franz Kline
- New York Times, New York, NY, one-man show review by Stuart Preston
- Minneapolis Tribune, Minneapolis, MN, group article/color reproduction, Walker Art Center
- Art News, New York, NY, one-man show review by Larry Campbell
- Pictures on Exhibit, New York, NY, one-man show review by Jane Gollin
- New York Herald Tribune, New York, NY, one-man show review/reproduction by Emily Genouer
- New Journal-American, New York, NY, one-man show review by L.E. Levick
- Art Voices, New York, NY, full page color reproduction on March cover
- 1964
- Pictures on Exhibit, New York, NY, one-man show review by Charles Kriebel
- Studio International, London, England, one-man show review by Dore Ashton
- New York Art Calendar, New York, NY, cover/reproduction March issue
- Park East, New York, NY, one-man show review by Betsy Polier
- Quadrum, Brussels, Belgium, article/reproductions by Georgine Oeri, "Raymond Hendler and His Work"
- France Amerique, New York, NY, one-man show review/reproduction by Avel Knight
- Rose Fried Gallery one-man show catalog, New York, NY
- New York Post, New York, NY one man show review/reproduction by Irving Sandler
- Pratt Institute, Brooklyn, NY, biographical article/photos "Raymond Hendler" by Joanne Wilson
- 1965
- Symposium Series, New York, NY, "Waldorf Panels", taped for broadcast, Fifth Avenue Hotel
- Pratt Institute, Brooklyn, NY, article/photos, "Education in Art" by Raymond Hendler
- Interview/Discussion about Art, Raymond Hendler and Herman Somberg by Dr. Jack Greenbaum, Collection of
- Archives of American Art, Smithsonian Institute, Washington, DC
- 1966
- Jewish Community Center, Englewood, NJ, group catalog, "Englewood Armory Show"
- Carlsson Gallery, New York, NY, catalog, "Mainstream 1966-67"
- 1967
- New York Times, New York, NY, one-man show review by John Canaday
- Arts Magazine, New York, NY, one-man show review/article/reproduction by Gordon Brown
- Art News, New York, NY, one-man show review/article/reproduction by Scott Burton
- Rose Fried Gallery, New York, NY, biographical article, "Raymond Hendler"
- Pictures on Exhibit, New York, NY, one-man show review, by Allen Wallach
- Ciba-Geigy Art Collection, Ardsley, NY, group catalog
- France-Amerique, New York, NY, one-man show review by Avel Knight
- Rose Fried Gallery, New York, NY, one-man show catalog/reproduction
- Pratt Institute, Brooklyn, NY, catalog with article/photo
- 1968
- New York Times, New York, NY, group review/article by Howard Taubman
- The Forum, New York, NY, group review/reproduction by G.C.
- New York University, New York, NY, group catalog, "Artists' of National and International Renown"
- Daily Argus, MY. Vernon, NY, group review/article/reproduction, by Louisa Kreisberg
- Herald Statesman, Yonkers, NY, group article/review/reproduction by Thomas Campbell
- 1969
- Minneapolis Tribune, Minneapolis, MN, group article/reproduction by Mike Steele
- Ciba Geigy Art Collection, Ardsley, NY group catalog (2)
- Catalog, Juilliard School of Music, New York, NY
- Ciba-Geigy Collection, article by Marcus Low, Curator
- Paper, "What Goes" by Raymond Hendler for Henry Hope, Editor, Art Journal, New York, NY
- Pipestone Star, Pipestone, MN, article/reproduction
- Minneapolis Tribune, Minneapolis, MN, group article/photo by Allen Hobart
- 1970
- Post Bulletin, Rochester, MN, review/article/photo, by Pauline Walle
- Minneapolis Tribune, Minneapolis, MN, one-man show review/article/reproduction by Mike Steele
- Rapid City Journal, Rapid City, SD, one-man show review/article
- Color: Basic Principles and New Directions, London, England, book
- Reinhold/Studio Vista; paper, "Color in Art" by Raymond Hendler
- "The Hendler Color Bit", unpublished tape
- 1971
- Art in America, New York, NY, paper for editor, Brian O'Doherty "The Post-Modern Artist's Dilemma: Art as Alternative" by Raymond Hendler
- Cooper Union, School of Art and Architecture, New York, NY, paper, "Makers and Unmakers" by Raymond Hendler for Dore Ashton (Head of Department of Art)
- Hudson River Museum, Yonkers, NY, group catalog review/article, "A New Consciousness" by Donal Halley
- Minneapolis Star Tribune, Minneapolis, MN, article, "Supergraphics-Uninspired" by Raymond Hendler
- New York City Community College, C.U.N.Y, New York, NY, paper, "Teaching Art History in the Two Year College" by Raymond Hendler for Patricia Sloane (Art History Professor)
- The Baltimore Museum of Art, Baltimore, MD, paper, ""Problems in Podunk: The Artist and Provincialism" by Raymond Hendler for Thomas Freudenhiem (Director)
- New York, NY, paper, "Not Art and Art" by Raymond Hendler for Clement Greenberg (art historian)
- Art News, New York, NY, "An Open Letter to Allen Kaprow" by Raymond Hendler
- Massachusetts Institute of Technology, Cambridge, MA, paper, "Whence Do We Come? What Are We? Where Are We Going?: Artists and Art Historians in Academe" by Raymond Hendler for Wayne Anderson (Art Historian)
- "Rap With Ray", with Tom Cowette, Dave Feinberg & Peter Busa, unpublished tapes
- "Artist in Podunk", with Malcolm Meyers, Peter Busa, Herman Somberg & Tom Cowette, unpublished tape
- 1972
- Random House Inc., New York, NY, critical review, "World Art History", by Raymond Hendler
- Minneapolis Star Tribune, Minneapolis, MN, five-man review/article by Don Morrison
- Cooper Union School of Art and Architecture, New York, NY, paper, "Artists' Club: The Makers' Forum Revisited" by Raymond Hendler for George Sedak (Chair)
- Art Journal, NY, NY, paper, "Holy Cow, Some of My Best Friends Are Artist" by Raymond Hendler
- College Art Association of America, New York, NY, panel taped for broadcast, "Problems in Podunk: Artists and Provincialism"
- Art Journal, New York, NY, group review by John Beardman
- "The Janson Response", unpublished paper by Raymond Hendler
- Three unpublished philosophical poems on art
- 1973
- Art Journal, New York, NY, group review by Anne Coffin Hanson and Ellen Lubell
- Glenwood Tribune, International Falls, MN, one-man show review
- St. Paul Pioneer Press, St. Paul, MN, group article
- WNEW Radio, New York, NY, taped for broadcast, "The Artists' Club: The Makers' Forum Revisited"
- Walker Art Center, Minneapolis, MN, paper, "What Can and Should Be…Re: Art and Education" by Raymond Hendler for Martin Friedman, (Director)
- "Art and Psychology/Doodling and Syncretistic Vision", unpublished paper by Raymond Hendler
- 1974
- Minneapolis Star Tribune, Minneapolis, MN, one-man show article by Don Morrison
- New York Times, New York, NY, review/article by Hilton Kramer
- Minneapolis Sun, Minneapolis, MN, one-man show review
- KSJR, Minnesota NPR, Collegeville, MN, interview/discussion
- Minneapolis Star Tribune, Minneapolis, MN, group review by Don Morrison
- St. Cloud Daily Times, St. Cloud, MN, one-man show review/article by James Peters
- Montclair State College, Montclair, NJ, paper, "The Relativist Painter" by Raymond Hendler for Matthew Lipman (Professor of Aesthetics)
- Minneapolis Star Tribune, Minneapolis, MN group review/article by Don Morrison
- Bryn Mawr College, Bryn Mawr, PA, paper, "The Paradoxical Context for Everything" by Raymond Hendler for Milton Nahm (Professor of Aesthetics)
- "Value Judgements in the Arts", unpublished paper, by Raymond Hendler
- "The Commitment to Sculptor, Ron Bladen", unpublished paper, by Raymond Hendler
- 1975
- PBS-National TV Network (including Minneapolis broadcast), three-man review featuring Hendler
- Walker Art Center, Minneapolis, MN, paper "What Would Have Been in Visual Art If the Abstract Expressionists Had Not?" by Raymond Hendler for Martin Friedman (Director)
- University of Minnesota, Minneapolis, MN, paper "Education Wears a Raincoat" for Harold Chase VP
- Charles Scribner's Sons, New York, NY, critical review "The Image Maker" by Raymond Hendler
- "Diptychs and Other Color, unpublished paper, by Raymond Hendler
- 1976
- Art in America, New York, NY, article "The Philadelphia Triangle" by Bill Richardson
- Skyway News, Minneapolis, MN, review/article by Pat Lindquist
- 1978
- NPR, radio interview, Minneapolis, MN, Bill Golfus of Voices in the Wind interviews Raymond Hendler, "Art/Not Art" discussion
- Conceived and organized panel discussion, "Art/Not Art", University of Minnesota, Minneapolis, MN, panel: Philip Guston, Harold Rosenberg, Martin Friedman and Marcia Tucker, unpublished tape
- 1979
- St.Paul Dispatch, St. Paul, MN, group review/reproduction by Margherita Mazzola Glendenning
- 1982
- Minneapolis Society of Fine Arts Annual Report
- 1981
- Minneapolis, MN "Among the Important Accessions"-Report of the Director by Sam Sachs
- 1983
- Circle Discussion, Participating Moderator, The Club, Minneapolis, MN "Action Painting-Then, Now and Always" unpublished tape
- Circle Discussion, Presentation, The Club, Minneapolis, MN, "In Decent Exposure: A Most Recent Painting", unpublished tape
- 1984
- Circle Discussion/Participant, The Club, Minneapolis, MN, "Truth Too X Two", Raymond Hendler & Randy Zutz, unpublished tape
- Circle Discussion, The Club, Minneapolis, MN, "Art/Not Art 1978 Symposium Discussion"
- 1985
- Open Presentation, The Club, Minneapolis, MN, unpublished tape, Dave Nelson & Raymond Hendler
- 1988
- Lecture/Presentation, Jimmy Ernst Artist Alliance, East Hampton, NY "Me and Fat Art" unpublished tape
- 1990
- Panel Discussion, Pollock Krasner House, Springs, NY, "Art of the Fifties", VHS tape, Moderator: Dore Ashton Panel: Hendler, Ibram Lassaw, Robert Richenburg, Herman Cherry, Mercedes Matter, Sidney Geist, & David Slivka
- 2000
- New York School Abstract Expressionists: Artists Choice by Artists, edited by Marika Herskovic New York School Press, book
- New York Times, New York, NY group review by Helen A. Harrison
- Southampton Press, Southampton, NY group review by Eric Ernst
- 2001
- New York Times, New York, NY group review by Phyllis Braff
- Southampton Press, Southampton, NY group review by Eric Ernst
- 2002
- Southampton Press, Southampton, NY retrospective review by Eric Ernst
- Art in America, New York, NY group review, "Galerie Huit: American Artists in Paris" by Adrian Dannatt
- 2004
- The Press, Manorville/Moriches, NY, review, "Original Cartoons from the New Yorker & more" by Jennett Meriden Russell
- 2008
- New York Sun, New York, NY, review "The Location of the Second Generation" by David Cohen
- 1942-45
- U.S. Army Art Classes (Special Services)
- 1948-49
- Contemporary School of Art, Brooklyn, NY (Assistant to Moses Soyer)
- 1952-56
- Private Adult Painting Classes, Philadelphia, PA
- 1953-55
- Fleicher Art Memorial, Philadelphia, PA (formerly Graphic Sketch Club)
- 1955
- Minneapolis College of Art, Grand Marais, MN, Artist-in-residence
- 1955-56
- Moore College of Art, Philadelphia, PA, Assistant Professor
- 1957
- Minneapolis College of Art, Minneapolis, MN, Artist-in-residence
- 1958-62
- Minneapolis College of Art, Minneapolis, MN, Head of Painting Dept.
- 1962-65
- Parsons School of Design, New York, NY
- 1964-66
- Pratt Institute, Brooklyn, NY, Director of Evening School
- 1966-68
- School of Visual Art, New York, NY, Director of first year program
- 1968
- Long Island University, Brooklyn, NY (summer)
- 1968-84
- University of Minnesota, Minneapolis, MN, Professor
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- 1944
- Lecture, La Club Hot (American Jazz Club) Brussels, Belgium, "American Painting"
- Lecture, US Army Officers Club, Verviers, Belgium, "American Painting"
- Panel, US Army Jayhawk Rest Camp Theatre, Verviers, Belgium, "American Art"
- 1949
- Panel/Symposium series, originator/organizer/moderator/participant, Galerie Huit, Paris, France (2 years)
- 1951
- Panel/Symposium series, organizer/moderator/participant, NY Artists' Club I (8th St. Club), NY, NY (6 years)
- 1954
- Lecture/Discussion, Unitarian Church (Intellectual Assembly), Philadelphia, PA "Painting Today"
- 1955
- Lecture, Minneapolis College of Art, Grand Marais, MN
- Lecture/Discussion, Moore College of Art, Philadelphia, PA, "Hendler Exhibition"
- Workshop/Lecture, Minneapolis College of Art, Grand Marais, MN
- 1956
- Symposium, residence, Art Critic-Art Digest Magazine (Sam Feinstein), Philadelphia, PA Eight American Painters
- Lecture/Discussion, Philadelphia Art Alliance, Philadelphia, PA
- 1957
- Workshop/Lecture, Minneapolis College of Art, Minneapolis, MN
- 1958
- Symposium, Minneapolis College of Art, Minneapolis, MN, "Art and Visual Perception"
- Speaker, Minneapolis College of Art, Minneapolis, MN, "The New York Scene"
- Panel Discussion, ‘The Club', New York, NY, Panel:Raymond Hendler, Alfred Leslie, Vincent Longo & Pat Passloff
- 1959
- Symposium, Minneapolis College of Art, Minneapolis, MN, "Coomaraswamy and Art", with Robert Klippel
- Lecture/Discussion, Minneapolis Institute of Art, Minneapolis, MN, "Hendler Exhibition"
- Symposium, Minneapolis College of Art, Minneapolis, MN, "The Greek and Art"
- 1960
- Symposium, Minneapolis College of Art, Minneapolis, MN, "Influences in Modern Art" (Bernard Karpel- Museum of Modern Art)
- Panel, Minneapolis Institute of Art, Minneapolis, MN, "Art in the Twin Cities"
- Lecture/Discussion, The Women's Club of Minneapolis, MN
- 1961
- Symposium, Minneapolis College of Art, Minneapolis, MN, "Zen and Art"
- Symposium Series, Minneapolis Artists' Club,
- Minneapolis Institute of Art, Minneapolis, MN
- 1962
- Symposium, Minneapolis College of Art, Minneapolis, MN, "Art and Myth" (Joseph Campbell)
- 1963
- Symposium/Panel Series, originator/organizer/moderator/participant, New York Artists' Club II, (23rd St. Workshop Club), NY, NY (5 years)
- 1968
- Panel, Martin Gallery, Minneapolis, MN
- 1969
- Panel, Macalester College, St. Paul, MN
- 1970
- Symposium Series, New Art Association (Minneapolis Chapter), Pillsbury Mansion, Minneapolis, MN
- Panel, Annual Meeting, Rochester Art Center, Rochester, MN
- Symposium, New Art Association, National Chapter, (College Art Association), Buffalo, NY
- 1971
- Lecture, Sugar Hills, Grand Rapids, MN, "The Market Place Aesthetic", unpublished tape
- Symposium Series, New Art Association (Minneapolis Chapter), Pillsbury Mansion, Minneapolis, MN
- Workshop/Lecture, Sugar Hills, Grand Rapids, MN
- 1972
- Lecture (invited principal speaker), Tri-County Workshop for Secondary School Teachers, Hampton, IA
- Panel, 60th Annual Meeting, College Art Association of America, SF, CA
- 1973
- Panel Discussion, Originator/Organizer/Participating Moderator, 61st Annual Meeting, College Art Association of America, "The Club: The Maker's Forum Revisited", panel: Robert Motherwell, Philip Guston and Steve Wheeler, NY, NY
- 1974
- Symposium, Minneapolis Institute of Art, Minneapolis, MN, "Art and Culture"
- Symposium, Minneapolis Institute of Art, Minneapolis, MN
- "Perception, Communication and Criticism", Rudolph Arnheim, Harvard University
- 1975
- Lecture, Quadna Hill City, MN, "Finding Fulfillment in your Cave and/or Higher Education Today"
- 1978
- Lecture/Workshop, Quadna Hill City, MN
- Conceived and organized panel discussion, "Art/Not Art", University of Minnesota, Minneapolis, MN, panel: Philip Guston, Harold Rosenberg, Martin Friedman and Marcia Tucker
- 1983
- Member, The Club (modelled after the 8th St. Club), Minneapolis, MN (3 years)
- Circle Discussion, Participating Moderator, The Club, Minneapolis, MN "Action Painting-Then, Now and Always", Raymond Hendler
- Circle Discussion/Presentation, The Club, Minneapolis, MN, "In Decent Exposure: A Most Recent Painting"
- 1984
- Circle Discussion/Participant, The Club, Minneapolis, MN, "Art/Not Art-1978 Symposium Discussion"
- 1985
- Circle Discussion, The Club, Minneapolis, MN, "Truth Too x Two", Raymond Hendler & Randy Zutz
- Open Presentation, The Club, Minneapolis, MN, "Dave Nelson & Raymond Hendler"
- 1987
- Member, Jimmy Ernst Artist Alliance, East Hampton, NY (3 years)
- 1988
- Lecture/Presentation, Jimmy Ernst Artist Alliance, "Me and Fat Art", Raymond Hendler
- 1990
- Panel/Discussion, Pollock Krasner House, Springs, NY, "Art of the Fifties", moderator: Dore Ashton, Panel: Hendler, Ibram Lassaw, Robert Richenburg, Herman Cherry, Mercedes Matter, Sidney Geist, & David Slivka
- 1949-51
- Co-founder/organizer/member of Galerie Huit, Paris France (first American Cooperative in Europe) Members include: Sam Francis, Sidney Geist, Burt Hasen, Al Held, Shirley Jaffe, Paul Keene, Jules Olitski, Robert Rosenwald, Carmen D'Avino, Haywood Bill Rivers & Herbert Katzman
- Counsel/Discussion, prominent national and international figures in and around Paris art world (2 years): Karel Appel, Jean Paul Riopelle, Robert Klippel, Asger Jorn, Pierre Alechinsky, Michael Topis, Andrė Breton, Consultant, Nina Dausset, Nina Dausset Gallery, Paris, France
- 1950's
- Counsel/Discussion, prominent national/international artists, critics, philosophers, museum directors, curators, historians, filmmakers, dancers: Willem de Kooning, David Smith, Barnett Newman, Harold Rosenberg, Hilton Kramer, Anton Ehrenzweig, Alfred Barr, Frank O'Hara, Leo Castelli, Rose Fried, Meyer Schapiro, John Cage, Mel Brooks and Zero Mostel, etc., New York, NY
- Artist/Designer/Consultant (cartoons & design) New Yorker, Look, Esquire, McCalls, Ladies Journal, Columbia Records, McGraw Hill Publishers, Saturday Evening Post, Container Corp. etc.
- 1951-57
- Voting Member, New York Artists' Club I (8th St. Club)
- 1952-54
- Director of the Hendler Galleries, Philadelphia, PA (first & only ‘avant garde' gallery in Philadelphia) Exhibited: Willem de Kooning, Jackson Pollock, Franz Kline, Philip Guston, Jack Tworkov, George McNeil, Shirley Jaffe, Yvonne Thomas, Sam Feinstein, Sanford Greenberg, Robert Keyser, Albert Newbill, Melville Price, Milton Resnick & Hugh Kappel. First to introduce to America: Paul-Émile Borduas, Sam Francis & Jean Paul Riopelle. First one-man show for: Stephen Pace, Robert Richenburg & Joseph Stefanelli.
- 1955
- Judge, Print Exhibition, The Print Club, Philadelphia, PA
- Jury, Painting Biennial, Moore College of Art, Philadelphia, PA
- 1958
- Head of Painting Department, Minneapolis College of Art, Minneapolis, MN
- Consultant, Accreditation (granted 1960), North Central Association, Commission on Colleges and Universities/Minneapolis College of Art, Minneapolis, MN
- 1960
- Counsel/Discussion, Rose Fried residence, prominent national and international figures in and around art world: Marcel Duchamp, Louis Carre, Denis Renė, Joseph Cornell, Clement Greenberg, Nelson Rockefeller, etc., NY, NY
- 1961
- Originator/Organizer, Minneapolis Artists' Club, Minneapolis Institute of Art, Minneapolis, MN
- 1963
- Voting and Charter Member, New York Artists' Club II (23rd St Club), resurrected Club with Philip Pavia
- 1964
- Director, Pratt Institute, New York, NY, (evening school)
- Counsel, paper "Meaning in Art", David Brown, Professor of Humanities, Minneapolis College of Art and Design, Minneapolis, MN
- 1965
- Director, School of Visual Arts, New York, NY, (first year program)
- 1966
- Consultant, Fine Art Films, Corinne Cantill (Producer-Firebird Films Brisbane, Australia), NY, NY
- 1967
- Consultant/Teacher, his paintings, Zero Mostel, New York, NY
- Consultant, education in visual art, Esther Raushenbush, President, Sarah Lawrence College, Bronxville, NY
- Counsel, "Artistic Image", Rudolph Arnheim, Sarah Lawrence University, Bronxville, NY
- Counsel, "Art and Myth", Joseph Campbell residence, New York, NY
- 1968
- Consultant, the value of art study, Gibson Danes, Dean of SUNY Purchase, Purchase, NY
- Midwest College Art Conference, Minneapolis, MN
- Counsel/Discussion, theatre & visual art/art collection, Mel Brooks & Zero Mostel, residence, NY, NY
- 1969
- Midwest College Art Conference, Iowa City, Iowa
- 1970
- Consultant, papers, "Painterly Painting", Donald B. Goodall, Director of the University of Texas, Art Museum, Austin, TX
- Mid-America College Art Conference, Madison, Wisconsin
- Judge, selection and awards, Five State Area Arts and Crafts, Sturgis, SD
- 1973
- Consultant, education program and long range objectives, Martin Friedman, Walker Art Center, Minneapolis, MN
- Consultant, article in Gregory Battock book, Howard Conant, Head of Art Department, New York University, NY, NY
- Consultant, (papers) "Better courses for art", Abe Ajay (Senior Professor), SUNY Purchase, Purchase, NY
- Counsel, papers, Harold G. Cereau, Professor of Art, Southern University, Baton Rouge, Louisiana Mid-America College of Art Association, Albuquerque, NM
- 1974
- American Society for Aesthetics, 32nd Annual Meeting, Minneapolis Institute of Art, Minneapolis, MN
- 1975
- Counsel/Discussion, Minneapolis artists' scene, Melisande Charles, Executive Director, Minneapolis, Arts Commission, Minneapolis, MN
- Counsel/Discussion (11 hour), "Metaphysically Speaking", Willem de Kooning residence, Springs, NY
- Counsel/Discussion (8 hour), "All About Everything" article, Harold Rosenberg, residence, Springs, NY
- Consultant, Art Museum lecture in Texas, Martin Friedman, Walker Art Center, Minneapolis, MN
- Consultant, "Franz Kline", Harry F. Gaugh, Skidmore College, Saratoga Springs, NY
- 1977
- Consultant, visiting artist program, Howard Conant, University of Arizona, Tuscon, AZ
- 1978
- Consultant, de Kooning painting, Ruth and Paul Tishman, Guild Hall, East Hampton, NY
- Counsel/Discussion, "Art/Not Art", Harold Rosenberg (house guest), Minneapolis, MN
- 1979
- Consultant, integrity and art, Wills Catlett, Owner/Director of Wildine Galleries, Albuquerque, NM
- Consultant, modern painting, James Ulland, Senator, Minnesota Senate, St. Paul, MN
- Consultant, the failure of American Art, Graham Beal, Curator, Walker Art Center, Minneapolis, MN
- 1980
- Consultant, Rose Productions, "Transformation", KTCA TV, Minneapolis, MN
- Counsel/Discussion, private collection, African Sculpture Exhibition, Metropolitan Museum of Art, NY, NY
- 1981
- Consultant, Midwest Representative, Liquitex Paints/Delta Brushes
- Consultant, Schlesinger/Bosante Gallery, New York, NY
- 1982
- Des Moines Iowa, trip, Morandi Exhibition, Des Moines Art Center
- 1982-83
- Consultant, Minnesota Artists' Club, Minneapolis, MN
- Counsel/Discussion, important art dealer in Twin Cities, Minneapolis, MN
- 1951-57
- Voting Member, New York Artists Club (8th St Club), New York, NY
- 1953
- Included in historic Stable Gallery Invitational, New York, NY
- 1960-71
- Represented and exhibited at one of the top five galleries in New York City, the Rose Fried Gallery
- 1961
- Franz Kline volunteered and wrote about Hendler's work for Rose Fried exhibition (the only artist Kline ever wrote for)
- 1963
- Longview Foundation Purchase Award. Jury of Nomination for Award: Willem de Kooning, Philip Guston, Thomas Hess, Harold Rosenberg & David Smith
- 1963-68
- Voting/Charter Member, New York Artists' Club II (23rd St. Workshop Club), NY, NY
- 1970
- Unanimously recommended for promotion to Associate Professor, University of Minnesota
- 1972
- Commended by Dean for being nominated for CLA Distinguished Teacher Award, University of Minnesota, Minneapolis, MN"
- 1973
- Nominated (only artist in the US), for Board of Directors, College Art Association of America, NY, NY
- Organizer/Participating Moderator of largest attended panel in CAA history. "Artists' Club: The Makers' Forum Revisited" 61st Annual Meeting, New York, NY
- Commended by Dean for being nominated for CLA Distinguished Teacher Award, University of Minnesota
- 1974
- Certificate for Achievement Award, National Society of Literature and the Arts, Washington, DC
- Unanimously recommended for promotion to Full Professor, University of MN
- 1976
- Bicentennial Celebration-Invitational Exhibition, "The 4 of July" (4 one-man shows), Minneapolis College of Art and Design, Minneapolis, MN
- 1979
- Nominated for CLA Distinguished Teacher Award, University of Minnesota
- Awarded McMillan Travel Grant, University of Minnesota
- 1982
- Nominated College of Liberal Arts Distinguished Teacher Award, University of Minnesota, Minneapolis, MN
- Nominated Horace T Morse-Amoco Foundation Award for Outstanding Contributions to Undergraduate Education, University of Minnesota, MN
- 2005-07
- The Estate was represented by private dealer, Stephen Foster Fine Arts, New London, CT - Foster, a noted art historian, curator & author of Franz Kline: Art and The Structure of Identity (1994)


















